We end on Barry getting a look at the cinematic O.G.—Anton Furst’s Batmobile, and it looks as gorgeous as ever.
The Flash’s first title lifts a little bit more off of the lid of just how and why we’re getting this Barry Allen/Bruce Wayne/Kara Zor-El smashup. Bringing us all the way back to the events of Man of Steel is a fascinating way for The Flash to put an end cap on this particular cinematic iteration of the DC universe, but time will tell if that’s enough to make this feel like more than a speedy farewell. We’ll find out more when The Flash races into theaters June 16.
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